Neuronal Constructivism
In these visual worlds, space is not simply depicted but constructed. Lines, planes, and overlays form configurations that evoke architecture and urban situations without committing themselves to any specific place. Again and again, fragments appear that seem like excerpts from a familiar reality — halls, facades, supports, pipelines, residual nature, or seemingly documentary scenes — while the overall composition could hardly hold together as a real space.
Constructive Spaces
In these works, architecture largely dissolves into planes, lines, and overlays. The spaces follow a clear internal structure without settling into any concrete, recognisable situation. What remains is a configuration of directions and layers in which spatiality is constructed rather than depicted.
Fragments of Reality
In this motif area, constructive image spaces are interwoven with fragments of a supposedly familiar world. Elements that recall streets, facades, or interiors appear within constellations that can hardly be imagined as actual space. The works ask how strongly perception and memory together participate in forming their own realities from such shards — situated between the feeling of recognition and the awareness that what is seen cannot exist in this way.
Industrial Fragments
In these images, the visual world recalls collages made from photographs of industrial architecture — halls, facades, supports, and pipelines. Here the share of apparent documentation is at its greatest, yet these spaces too are constructed and overlaid. They appear like condensations of an industrialised present in which observation, memory, and projection can hardly be separated any longer.
