New Works
This work area brings together recent works in which new image ideas, themes, and formal directions are being explored.
The individual series and groups of works each pursue their own emphases, yet remain connected by a shared interest in space, perception, overlay, and possible forms of contemporaneity. New Works is not a closed system, but an open field in which the practice continues to shift, condense, and reach out in new directions.
Abandoned / Forgotten
This series condenses traces of places into quiet constructions. It asks how experiences of space can be translated into something abstract that is neither purely architectural nor purely atmospheric. The works hold on to what remains of a place when its functions and stories slowly fall away.
Abandoned
This work asks what a piece of the world feels like when its bonds begin to weaken. At its centre lies an in-between state: no longer fully embedded, yet not entirely abandoned either. Reduction becomes a way of testing how much a place can lose — and what it nevertheless retains.
Constructive Emptiness
This work explores the attempt to grasp abandonment through order, cutting, and layering. Construction becomes a testing ground for how far a space can be abstracted before every tie to experience is severed.
Structure itself takes on the role of narration.
Rural
These images examine how “outside” and “expanse” can be reduced to a few decisive formal gestures. The colour fields carry an idea of landscape without naming any specific place. At the centre is the question of what minimum structure is enough to produce a horizon in the mind.
Urban Abstract
These images test how density and proximity can be translated into pure relationships of colour and plane. The city becomes a field of forces that can exist without streets or buildings. The focus lies on the rhythm of an urban configuration, not on recognisability.
Urban
These works continue the investigation of urban experience through transitions and ruptures. They set hard edges against quieter zones, vertical thrusts against softer passages. At their core is the question of how a balance between pressure and permeability can be established pictorially.
