Neuronal Constructivism
In these visual worlds, space is not simply depicted but constructed. Lines, planes, and overlays form configurations that evoke architecture and urban situations without committing themselves to any specific place. Again and again, fragments appear that seem like excerpts from a familiar reality — halls, facades, supports, pipelines, residual nature, or seemingly documentary scenes — while the overall composition could hardly hold together as a real space.
Constructive Spaces
In these works, architecture largely dissolves into planes, lines, and overlays. The spaces follow a clear internal structure without settling into any concrete, recognisable situation. What remains is a configuration of directions and layers in which spatiality is constructed rather than depicted.
Fragments of Reality
Here, constructive image spaces meet excerpts that seem like real places or scenes. Parts of the image appear photographically plausible, while the overall constellation cannot hold together as a real space. In this tension between the recognisably impossible and the seemingly familiar, it becomes visible how strongly perception composes its own reality.
Industrial Fragments
In these images, the visual world recalls collages made from photographs of industrial architecture — halls, facades, supports, and pipelines. Here the share of apparent documentation is at its greatest, yet these spaces too are constructed and overlaid. They appear like condensations of an industrialised present in which observation, memory, and projection can hardly be separated any longer.
